{"id":1898,"date":"2025-01-10T14:53:17","date_gmt":"2025-01-10T19:53:17","guid":{"rendered":"https:\/\/biblio-performance.uqam.ca\/?page_id=1898"},"modified":"2026-07-15T19:25:37","modified_gmt":"2026-07-15T23:25:37","slug":"2019-symposium","status":"publish","type":"page","link":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/","title":{"rendered":"Symposium \u2014 <em>Discourse in motion<\/em> (2019)"},"content":{"rendered":"\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-a-symposium-to-mark-the-end-of-an-annotated-bibliography-in-real-time-nbsp-at-artexte-and-at-arprim-montreal\" class=\"wp-block-heading\">A symposium to mark the end of <em>An Annotated Bibliography in Real Time<\/em>&nbsp;at Artexte and at Arprim, Montreal<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">November 29 \u2013 30, 2019<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"alignnormal\"><div id=\"metaslider-id-1892\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-112-0 metaslider metaslider-flex metaslider-1892 ml-slider has-dots-nav ms-theme-default-base\" role=\"region\" aria-label=\"(5 symposium!)\" data-height=\"597\" data-width=\"1000\">\n    <div id=\"metaslider_container_1892\">\n        <div id=\"metaslider_1892\">\n            <ul aria-live='off' class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1894 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-08 14:12:34\" data-filename=\"UBCETR_Volet5_Colloque_Jordan-Joachim-1000x597.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet5_Colloque_Jordan-Joachim-1000x597.jpeg\" height=\"597\" width=\"1000\" alt=\"\" class=\"slider-1892 slide-1894 msDefaultImage\" title=\"UBCETR_Volet5_Colloque_Jordan-Joachim\" \/><div class=\"caption-wrap\"><div class=\"caption\"><div> <p dir=\"ltr\">Anique Jordan in conversation with Joana Joachim for the session <em>Moving Histories and Discourse<\/em> du colloque <em>Discourse in Motion<\/em>, Novembre 29, 2019, Artexte, Montreal.\u00a0<\/p> <strong><\/strong><\/div><\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1893 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-08 14:12:17\" data-filename=\"UBCETR_Volet5_Colloque_LukinLinklater-Simpson-874x521.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet5_Colloque_LukinLinklater-Simpson-874x521.jpeg\" height=\"597\" width=\"1000\" alt=\"\" class=\"slider-1892 slide-1893 msDefaultImage\" title=\"UBCETR_Volet5_Colloque_LukinLinklater-Simpson\" \/><div class=\"caption-wrap\"><div class=\"caption\"><div> <p dir=\"ltr\">Tanya Lukin Linklater in conversation with Robin Simpson for the session <em>Writing and Performing<\/em> of the symposium <em>Discourse in Motion<\/em>, 30 novembre 2019, Artexte, Montreal.\u00a0<\/p> <strong><\/strong><\/div><\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Discourse in Motion <\/em>was the final event of the <em>An Annotated Bibliography in Real Time<\/em> in conjunction with the launch of the research project&#8217;s <a href=\"https:\/\/biblio-performance.uqam.ca\/publication\/\"><strong>publication<\/strong><\/a>. Presented as a moment of shared reflection, this two day event investigated performance\u2019s various modes of iteration and archival existence(s) as a critical and a discursive practice &#8211; before, during and after the act.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The symposium set out to investigate and bring to light performances\u2019 many histories and&nbsp; formats of representation that meet and are built within the discursive field of theories, notes, stories, and actions. Presented as a moment of shared reflection this event discusses performance\u2019s various modes of iteration and archival existence(s) as a critical and a discursive practice \u2013 before, during and after the act. Together we are looking at how performance within the framework of the archive as a curatorial format not only inspires, reflects and documents but also shapes and, most importantly, changes how we experience and think about liveness as part of arts many forms of appearances.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Organized as a series of artist presentations (Moving Histories and Discourse), a workshop (The Spaces of the Book), and a conversation (Writing and Performing) this symposium discusses the theoretical and practice-based relationships performers and writers act out and hold fast in relation to the embodiment of language through text as much as voice and gesture. We are especially interested in the slippage between lines and pages and will look at how the act of writing, various forms of publishing and the performance of their research, defines their practices. The objective of both <em>An Annotated Bibliography in Real Time<\/em> and the research project <em>Keeping it Live: Performances, Archives and Exhibitions<\/em> is to offer a hybrid and discursive perspective on the historization and institutionalization of performance art investigating performance\u2019s many circumstances and modes of production, experience, and reception over time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Organised by: Emmanuelle Choquette, Barbara Clausen, and Joana Joachim<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-symposium-program\" class=\"wp-block-heading\">Symposium Program<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/#moving\"><strong>Moving Histories and Discourse<\/strong><br><\/a><\/em><\/strong>November 29 novembre, 2019, Artexte<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2pm \u2013 5pm: A series of presentations by Adam Kinner, Carola Dertnig et Anique Jordan. Presentations are both in English and in French.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/#book\"><strong><em><strong>The Spaces of the Book<\/strong><\/em><\/strong><br><\/a>November 30, 2019, Arprim<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>9:30am \u2013 12pm: Verbatim, a workshop with Sarah Chouinard-Poirier, Yen-Chao Lin &amp; Danielle St-Amour. Workshop is both in English and French.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/#writing\"><strong><em>Writing and Performing<\/em><\/strong><br><\/a>November 30, 2019, Artexte<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2pm: Tanya Lukin Linklater, a poetry reading and screening, followed by a conversation. Reading in English and conversation both in English and in French.<\/li>\n\n\n\n<li><\/li>\n\n\n\n<li>3pm: Paul Couillard and Sylvette Babin, A conversation on writing, publishing, and performing. Conversation both in English and in French.<\/li>\n\n\n\n<li><\/li>\n\n\n\n<li>5pm: Book launch. <em><strong><a href=\"https:\/\/biblio-performance.uqam.ca\/publication\/\">An Annotated Bibliography in Real Time<\/a><\/strong><\/em>, 2019, 3rd edition by&nbsp; Barbara Clausen, Jade Boivin et Emmanuelle Choquette, 2019.&nbsp; Montr\u00e9al : \u00c9ditions Artexte.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-18980\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Complete Program<\/h3><div id=\"ac-18980\" class=\"c-accordion__content\">\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet5_Colloque-Pamphlet_2019.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Discourse in movement symposium brochure, November 29\u201330, 2019, Artexte and Aprim, Montreal<\/a><\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:15%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:85%\">\n<h4 id=\"h-related-links\" class=\"wp-block-heading\">Related links<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/phase-2019\/\">Overview of Phase VI and V (2019) of the project\u00a0<em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em><\/a><\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/artexte.ca\/en\/2019\/10\/symposium-discourse-in-motion\/?noredirect=en_CA\" target=\"_blank\" rel=\"noreferrer noopener\">Event page on the Artexte website<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<h2 id=\"moving\" class=\"wp-block-heading\"><strong><em><strong>Moving Histories and Discourse<\/strong><\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>November 29, 2019<br>2pm \u2013 5pm<\/strong><br><strong>Artexte, Montreal<\/strong><\/p>\n\n\n\n<div class=\"alignnormal\"><div id=\"metaslider-id-1906\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-112-0 metaslider metaslider-flex metaslider-1906 ml-slider has-dots-nav ms-theme-default-base\" role=\"region\" aria-label=\"(5.1. symposium jordan)\" data-height=\"598\" data-width=\"1000\">\n    <div id=\"metaslider_container_1906\">\n        <div id=\"metaslider_1906\">\n            <ul aria-live='off' class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1907 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-08 14:29:49\" data-filename=\"UBCETR_Volet5_Colloque_Jordan-Joachim-1000x598.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet5_Colloque_Jordan-Joachim-1000x598.jpeg\" height=\"598\" width=\"1000\" alt=\"\" class=\"slider-1906 slide-1907 msDefaultImage\" title=\"UBCETR_Volet5_Colloque_Jordan-Joachim\" \/><div class=\"caption-wrap\"><div class=\"caption\"><div> <p dir=\"ltr\">Anique Jordan in conversation with Joana Joachim for the session <em>Moving Histories and Discourse<\/em> du colloque <em>Discourse in Motion<\/em>, Novembre 29, 2019, Artexte, Montreal.\u00a0<\/p> <strong><\/strong><\/div><\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">A series of presentations by Adam Kinner, Carola Dertnig et Anique Jordan. Presentations are both in English and in French.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The aim of the session <em>Moving Histories and Discourse<\/em> is to look at how artistic practices not only can question dominant normative and colonial narratives but have the power to shift our\/their\/all perspectives on and within them &#8211; as they come into being, are re-staged or simply iterated &#8211; from text to script, to index to sound to language to choreography and to sculpture.&nbsp;<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-adam-kinner\" class=\"wp-block-heading\">Adam Kinner<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Presentation, followed by a conversation with Vincent Bonin<\/p>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-18981\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Description<\/h4><div id=\"ac-18981\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">In his presentation Adam Kinner will discuss, among other things, his recent staging of a group piece at the Mus\u00e9e d\u2019art de Joliette called <em>Suite canadienne, a demonstration<\/em>, based on an early choreography of Ludmilla Chiriaeff. This project proceeded from archival research on the history of choreography in Qu\u00e9bec, and the politics of the social dances that the original work from the 1950s instrumentalized in its claim to authenticity. By excavating and re-performing historical texts and movements, Kinner&#8217;s work invites us to look at Qu\u00e9bec\u2019s history through another lens and to rethink how we perform the nation. Followed by a conversation with Vincent Bonin.&nbsp;<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-18982\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Adam Kinner Biography<\/h4><div id=\"ac-18982\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Adam Kinner (Washington, D.C., 1984) is an artist living and working in Montreal. Having trained in music, he now makes work on the thresholds of performance, sound and visual arts, collaborating with artists from dance and music. Recent projects include <em>Instructions for a performance by Emma Goldman<\/em>, an exhibition at the Foreman Art Gallery which distills his research on the Haskell Free Library and Opera House, a heritage building that straddles the Canada\/U.S. border; an exhibition at Artexte that wove together national and personal performance histories, sound works, and readings; a performance with 8 saxophonists for the Mus\u00e9e d\u2019art contemporain des Laurentides; and a research-performance project for OFFTA in Montreal. He has presented work at the Leonard and Bina Ellen Gallery, SBC Gallery, Galerie de l\u2019UQAM, Mus\u00e9e McCord as well as Usine C, Tangente, Studio 303 and Innovations en Concert. His work has been shown abroad in the UK, USA, France and Belgium. In the summer of 2017, Kinner was a fellow at Vila Sul in Salvador de Bahia, Brazil. He holds degrees from McGill University and Concordia University and is currently completing an MFA at the School of the Art Institute of Chicago.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-carola-dertnig\" class=\"wp-block-heading\">Carola Dertnig<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cLet\u2019s twist again if you can\u2019t think it dance it. Perform Perform Perform.\u201d<\/em><br>Presentation, followed by a conversation with Vanessa Parent<\/p>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-18983\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Description<\/h4><div id=\"ac-18983\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Since the late 1990s Carola Dertnig\u2019s work and research has questioned the canonization of conceptual and performance based art forms, from a feminist and queer perspective using the example of Viennese Actionism as a point of departure. Presenting the curatorial and artistic research for her publications <em>Let\u2019s Twist Again<\/em> (2002 to 2004) and exhibition <em>Mothers of Invention<\/em> (2004) , Dertnig will deconstruct the politics of authorship of women actionnists by unwinding the complex histories of performance avant-gardes since the 1960s on a local, as well from a global perspective. Followed by a conversation with Vanessa Parent.&nbsp;<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-18984\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Carola Dertnig Biography<\/h4><div id=\"ac-18984\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Carola Dertnig is an artist who is interested in upturning and overwriting aspects of performance art history through strategies of feminist historical revisionism, including imaginative reconceptualization and performative interventions with existing documentation. Dertnig lives and works currently in Vienna. Since 2006 she is a Professor for Performative Art at the University of Fine Arts in Vienna and has been teaching as a guest professor at Cal ARTS in Los Angeles. Dertnig&#8217;s work has appeared in several exhibitions at P.S.1 Contemporary Art Center, Artists Space and the Museum of Modern Art in New York and at the Secession and MUMOK in Vienna. Dertnig published <em>Let&#8217;s Twist Again: If You Can&#8217;t Think It, Dance it. Performance in Vienna from 1960 until Today<\/em> (co-edited with Stefanie Seibold) in 2006 and <em>Performing the Sentence. Views on Research and Teaching in Performance Art<\/em> (co-edited with Felicitas Thun) at Sternberg Press in 2013.<br><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-anique-jordan\" class=\"wp-block-heading\">Anique Jordan<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Presentation, followed by a conversation with Joana Joachim<\/p>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-18985\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Description<\/h3><div id=\"ac-18985\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Using the elements of masquerade: mimicry, public engagement, political content and performance, Anique Jordan\u2019s work aims to embody, disturb and complicate the archive. Through recent projects: <em>Mas\u2019<\/em>, a DJ&#8217;d funeral procession, <em>Evidence<\/em>, a sonic recounting of 1894 Toronto murder trial and the photographic series <em>ban&#8217; yuh belly<\/em> which documents the design of structural violence in racialized communities across Toronto. Anique Jordan will take us through some of her latest archival research and explore the ways in which performance, self portraiture and group process conflate the past and future into our contemporary moment. Followed by a&nbsp; conversation with Joana Joachim.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-18986\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Anique Jordan Biography<\/h3><div id=\"ac-18986\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Anique Jordan is an artist, writer and curator who looks to answer the question of possibility in everything she creates. As an artist, Jordan works in photography, sculpture and performance often employing the theory of hauntology to challenge historical or dominant narratives and creating, what she calls, impossible images. Jordan has lectured on her artistic and community engaged curatorial practice as a 2017 Canada Seminar speaker at Harvard University and in numerous institutions across the Americas. In 2017 she co-curated the exhibition <em>Every. Now. Then: Reframing Nationhood<\/em> at the Art Gallery of Ontario. As an artist, she has exhibited in galleries such as the Art Gallery of York University (AGYU), Art Gallery of Guelph, Doris McCarthy Gallery, the Wedge Collection, Art Gallery of Windsor, Gallery 44, and Y+ Contemporary. She has received numerous awards, grants and fellowships and in 2017 was awarded the Toronto Arts Foundation Emerging Artist of the Year award. This past year, Jordan completed a residency at the University of the West Indies (Trinidad and Tobago), was the 2018-19 Artist-in-Residence at Osgoode Hall Law School and the most recent recipient of the Hnatyshyn Emerging Artist award. Her work appears in public and private collections nationally.&nbsp;<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 id=\"h-the-spaces-of-the-book\" class=\"wp-block-heading\">The Spaces of the Book<\/h2>\n\n\n\n<h3 id=\"verbatim\" class=\"wp-block-heading\"><em>Verbatim<\/em> : a workshop<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<p class=\"wp-block-paragraph\"><strong>November 30, 2019<br>9:30am \u2013 12pm<\/strong><br><strong>Arprim, Montreal<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With Sarah Chouinard-Poirier, Yen-Chao Lin, Danielle St-Amour.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This workshop under the title Verbatim, engages with the representational politics of the printed word in relationship to the expression of spoken language, writing, and gesture, as a vibrant and hybrid medium as much as a practice. What is it to copy, transcribe, duplicate, replicate, XEROX, counterfeit, reprint, reproduce, clone, forge, plagiarize, imitate, repeat, record, reread, retell, recreate, republish\u2026 BYOP (bring your own pencil). 2 hours guided workshop, materials provided.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-18987\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Sarah Chouinard-Poirier Biography<\/h4><div id=\"ac-18987\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Sarah Chouinard-Poirier is a multidisciplinary artist based in Montreal. She develops performances with content where the presence, the gesture, the word, the object and sometimes the technologies combine to create a radical experience and a feminist and resistant mythology. Her current research explores the body and its writing in space, the narrativity of action and the image and the performative orality. She is interested in the representativeness of marginalized people and populations, in relational practices, in the ethics of care and in the transmission and reappropriation of stories by individuals and communities. She currently divides her life between artistic creation, cultural work (Volte 21) and social work (La Rue des Femmes de Montr\u00e9al).<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-18988\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Yen-Chao Lin Biography<\/h4><div id=\"ac-18988\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Yen-Chao Lin \u6797\u5ef6\u662d is a Montreal-based multidisciplinary artist. Commenting on the impermanence of existence through intuitive play, collaboration and scavenging, her practice explores divination arts, folk religion, ecology and social permaculture. A self-described postmodern archivist, and natural history enthusiast, she is an avid collector of all things from found family records to Victorian ephemera and biological specimens. Her works have been shown at Berlinale (Berlin), articule (Montreal), Art Metropole (Toronto), Festival du nouveau cin\u00e9ma (Montreal), OBORO (Montreal), SBC Gallery of Contemporary Art (Montreal), among others. Yen-Chao also serves as a key programmer and exhibition designer for Atelier C\u00e9ladon. <\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-18989\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Danielle St-Amour Biography<\/h4><div id=\"ac-18989\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Danielle St-Amour is an artist, writer, and curator. She has produced research-based exhibitions for SBC Gallery in Montreal (2019), and the Walter Phillips Gallery at the Banff Centre, Alberta (2014), amongst others. From 2016-2018, she was the Director at Art Metropole in Toronto. From 2014-2018 St-Amour was a member of the editorial advisory board for <em>C Magazine<\/em>, and was co-editor of the Poetry issue in 2016. St-Amour was the co-founder of critical publication REARVIEWS, a platform for reviewing exhibition reviews (2011-2016), as well as the exhibition space WWTWO in Montreal (2011-2013). From 2008-2013, she was a member of the experimental publishing collective <em>palimpsest<\/em>. She has exhibited, lectured, given workshops and published both nationally and internationally since 2009. <br><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 id=\"writing\" class=\"wp-block-heading\"><em>Writing and Performing<\/em><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<p class=\"wp-block-paragraph\">November 30, 2019<br>2pm <strong>\u2013<\/strong> 5pm<br>Artexte, Montreal<\/p>\n\n\n\n<div class=\"alignnormal\"><div id=\"metaslider-id-1908\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-112-0 metaslider metaslider-flex metaslider-1908 ml-slider has-dots-nav ms-theme-default-base\" role=\"region\" aria-label=\"(5.2 Symposium - Lukin Linklater)\" data-height=\"600\" data-width=\"1000\">\n    <div id=\"metaslider_container_1908\">\n        <div id=\"metaslider_1908\">\n            <ul aria-live='off' class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1909 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-08 14:30:50\" data-filename=\"UBCETR_Volet5_Colloque_LukinLinklater-Simpson-874x524.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet5_Colloque_LukinLinklater-Simpson-874x524.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1908 slide-1909 msDefaultImage\" title=\"UBCETR_Volet5_Colloque_LukinLinklater-Simpson\" \/><div class=\"caption-wrap\"><div class=\"caption\"><div> <p dir=\"ltr\">Tanya Lukin Linklater in conversation with Robin Simpson for the session <em> of the symposium <em>Discourse in Motion<\/em>, 30 novembre 2019, Artexte, Montreal.\u00a0<\/em><\/p> <strong><\/strong><\/div><\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The <em>Discourse in Motion<\/em> symposium came to an end with a presentation by Tanya Lukin Linklater, a conversation between Paul Couillard and Sylvette Babin, and the launch of the publication for the research project <em>An Annotated Bibliography in Real Time. <\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2pm: Tanya Lukin Linklater, a poetry reading and screening, followed by a conversation. Reading in English and conversation both in English and in French.<\/li>\n\n\n\n<li><\/li>\n\n\n\n<li>3pm: Paul Couillard and Sylvette Babin, A conversation on writing, publishing, and performing. Conversation both in English and in French.<\/li>\n\n\n\n<li><\/li>\n\n\n\n<li>5pm: Book launch. <em><strong><a href=\"https:\/\/biblio-performance.uqam.ca\/publication\/\">An Annotated Bibliography in Real Time<\/a><\/strong><\/em>, 2019, 3rd edition by&nbsp; Barbara Clausen, Jade Boivin et Emmanuelle Choquette, 2019.&nbsp; Montr\u00e9al : \u00c9ditions Artexte.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-tanya-lukin-linklater\" class=\"wp-block-heading\">Tanya Lukin Linklater<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A poetry reading and screening. Followed by a conversation with Robin Simpson.<\/p>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-189810\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Description<\/h4><div id=\"ac-189810\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Tanya Lukin Linklater will read from her forthcoming book of poetry, Slow Scrape, which will be published in the Documents series by The Centre for Expanded Poetics and Anteism, in Montr\u00e9al (2020). Her first book lives at the interstices of performance, the body, memory, and relationality. Followed by a conversation with Robin Simpson<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-189811\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Tanya Lukin Linklater Biography<\/h4><div id=\"ac-189811\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Tanya Lukin Linklater often makes performances with dancers and sometimes composers\/musicians in relation to objects in exhibitions, scores, cultural belongings and the structure of the museum, reaching towards atmospheres that shift the space or, potentially, the viewer. Her work centres knowledge production in and through orality, conversation, and embodied practices, including dance. While reckoning with histories that affect Indigenous peoples&#8217; lives, lands and ideas, she investigates insistence. Her work is currently on view at <em>&#8230;and other such stories<\/em>, the Chicago Architecture Biennial 2019 and at SFMOMA&#8217;s <em>Soft Power<\/em> organized by curator of contemporary art, Eungie Joo. Her forthcoming book of poetry, <em>Slow Scrape<\/em>, will be published in the Documents series by The Centre for Expanded Poetics and Anteism, Montr\u00e9al. Tanya studied at University of Alberta (M. Ed.) and Stanford University (A.B. Honours) and is a doctoral candidate in Cultural Studies at Queen&#8217;s University. <\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-paul-couillard-and-sylvette-babin\" class=\"wp-block-heading\">Paul Couillard and Sylvette Babin<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A conversation on writing, publishing, and performing.<\/p>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-189812\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Description<\/h4><div id=\"ac-189812\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Sylvette Babin and Paul Couillard will discuss how writing and publishing have influenced their thinking and practice in the field of performance. The discussion will explore questions about how the publications and writings of performance artists are also sites of production, research as well as manifestations, which are continually changing and expanding the perception of the field.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-189813\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Paul Couillard Biography<\/h4><div id=\"ac-189813\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Paul Couillard has been working as an artist, curator, and performance art scholar since 1985. He has created more than 200 solo and collaborative performance works in 26 countries, often working with his partner Ed Johnson. Couillard was the Performance Art Curator for Fado Performance Inc. from its inception in 1993 until 2007 and is also a founding co-curator of Toronto&#8217;s <em>7a*11d International Festival of Performance<\/em>. He is the editor of Fado\u2019s Canadian Performance Art Legends, a series of books on senior Canadian performance artists. His current research is focused on a theoretical recuperation of the notion of presence as intra-active relationality and shared meaningfulness.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h4 id=\"at-189814\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Sylvette Babin Biography<\/h4><div id=\"ac-189814\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Sylvette Babin holds a Master of Fine Arts (Open Media) from Concordia University. Her practice of artistic performance has led her to participate in numerous events in Canada and in some twenty cities in Europe, Asia and Latin America. She has been a member of <em>esse<\/em> magazine&#8217;s editorial board for over 20 years and has acted as editor since 2002. She has contributed articles for magazines, catalogs and artists&#8217; books and has curated the events <em>Les Convertibles<\/em> produced by <em>Culture pour tous<\/em> (2006), <em>Infraction 08<\/em> (S\u00e8te, France, 2008), and <em>Il Nostro Gusto<\/em> (Triennale Orange, Saint-Hyacinthe, 2009). She has taught Art and Urban Theatre at Shawinigan College and Visual and Media Arts at C\u00e9gep de Saint-Hyacinthe. Sylvette Babin has sat on several peer committees, including for the Canada Council for the Arts, the Fonds de recherche du Qu\u00e9bec &#8211; Soci\u00e9t\u00e9 et culture and for various art centers, and has taken part in various advisory committees.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"256\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1024x256.png\" alt=\"\" class=\"wp-image-1043\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1024x256.png 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-300x75.png 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-768x192.png 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1536x384.png 1536w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>A symposium to mark the end of An Annotated Bibliography in Real Time&nbsp;at Artexte and at Arprim, Montreal November 29 \u2013 30, 2019 Discourse in Motion was the final event of the An Annotated Bibliography in Real Time in conjunction with the launch of the research project&#8217;s publication. Presented as a moment of shared reflection, [&hellip;]<\/p>\n","protected":false},"author":658,"featured_media":619,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"class_list":["post-1898","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v28.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Symposium \u2014 Discourse in motion (2019) | Une bibliographie comment\u00e9e en temps r\u00e9el | UQAM<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Symposium \u2014 Discourse in motion (2019)\" \/>\n<meta property=\"og:description\" content=\"A symposium to mark the end of An Annotated Bibliography in Real Time&nbsp;at Artexte and at Arprim, Montreal November 29 \u2013 30, 2019 Discourse in Motion was the final event of the An Annotated Bibliography in Real Time in conjunction with the launch of the research project&#8217;s publication. Presented as a moment of shared reflection, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/\" \/>\n<meta property=\"og:site_name\" content=\"Une bibliographie comment\u00e9e en temps r\u00e9el\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-15T23:25:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/05\/UBCETR_Banner_Phase45_Symposium_EN-scaled.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/2019-symposium\\\/\",\"url\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/2019-symposium\\\/\",\"name\":\"Symposium \u2014 Discourse in motion (2019) | Une bibliographie comment\u00e9e en temps r\u00e9el | UQAM\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/2019-symposium\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/2019-symposium\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/wp-content\\\/uploads\\\/sites\\\/150\\\/2026\\\/05\\\/UBCETR_Banner_Phase45_Symposium_EN-scaled.png\",\"datePublished\":\"2025-01-10T19:53:17+00:00\",\"dateModified\":\"2026-07-15T23:25:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/2019-symposium\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/2019-symposium\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/2019-symposium\\\/#primaryimage\",\"url\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/wp-content\\\/uploads\\\/sites\\\/150\\\/2026\\\/05\\\/UBCETR_Banner_Phase45_Symposium_EN-scaled.png\",\"contentUrl\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/wp-content\\\/uploads\\\/sites\\\/150\\\/2026\\\/05\\\/UBCETR_Banner_Phase45_Symposium_EN-scaled.png\",\"width\":2560,\"height\":640,\"caption\":\"Phase IV & V (2019): Symposium\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/2019-symposium\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"UQAM\",\"item\":\"https:\\\/\\\/uqam.ca\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Une bibliographie comment\u00e9e en temps r\u00e9el\",\"item\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Symposium \u2014 Discourse in motion (2019)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/#website\",\"url\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/\",\"name\":\"Une bibliographie comment\u00e9e en temps r\u00e9el\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/en\\\/\\\/recherche\\\/?q={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/#organization\",\"name\":\"Une bibliographie comment\u00e9e en temps r\u00e9el\",\"url\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/gabarit-adaptatif.uqam.ca\\\/statique\\\/images\\\/logo-uqam.jpg\",\"contentUrl\":\"\",\"caption\":\"Une bibliographie comment\u00e9e en temps r\u00e9el\"},\"image\":{\"@id\":\"https:\\\/\\\/biblio-performance.uqam.ca\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"parentOrganization\":{\"@type\":\"EducationalOrganization\",\"@id\":\"https:\\\/\\\/uqam.ca\\\/#organization\",\"name\":\"Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al\",\"url\":\"https:\\\/\\\/uqam.ca\",\"alternateName\":\"UQAM\",\"logo\":\"https:\\\/\\\/gabarit-adaptatif.uqam.ca\\\/statique\\\/images\\\/logo-uqam.jpg\"}}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Symposium \u2014 Discourse in motion (2019) | Une bibliographie comment\u00e9e en temps r\u00e9el | UQAM","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_US","og_type":"article","og_title":"Symposium \u2014 Discourse in motion (2019)","og_description":"A symposium to mark the end of An Annotated Bibliography in Real Time&nbsp;at Artexte and at Arprim, Montreal November 29 \u2013 30, 2019 Discourse in Motion was the final event of the An Annotated Bibliography in Real Time in conjunction with the launch of the research project&#8217;s publication. Presented as a moment of shared reflection, [&hellip;]","og_url":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/","og_site_name":"Une bibliographie comment\u00e9e en temps r\u00e9el","article_modified_time":"2026-07-15T23:25:37+00:00","og_image":[{"width":2560,"height":640,"url":"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/05\/UBCETR_Banner_Phase45_Symposium_EN-scaled.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"14 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/","url":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/","name":"Symposium \u2014 Discourse in motion (2019) | Une bibliographie comment\u00e9e en temps r\u00e9el | UQAM","isPartOf":{"@id":"https:\/\/biblio-performance.uqam.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/#primaryimage"},"image":{"@id":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/#primaryimage"},"thumbnailUrl":"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/05\/UBCETR_Banner_Phase45_Symposium_EN-scaled.png","datePublished":"2025-01-10T19:53:17+00:00","dateModified":"2026-07-15T23:25:37+00:00","breadcrumb":{"@id":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/#primaryimage","url":"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/05\/UBCETR_Banner_Phase45_Symposium_EN-scaled.png","contentUrl":"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/05\/UBCETR_Banner_Phase45_Symposium_EN-scaled.png","width":2560,"height":640,"caption":"Phase IV & V (2019): Symposium"},{"@type":"BreadcrumbList","@id":"https:\/\/biblio-performance.uqam.ca\/en\/2019-symposium\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"UQAM","item":"https:\/\/uqam.ca"},{"@type":"ListItem","position":2,"name":"Une bibliographie comment\u00e9e en temps r\u00e9el","item":"https:\/\/biblio-performance.uqam.ca\/en\/"},{"@type":"ListItem","position":3,"name":"Symposium \u2014 Discourse in motion (2019)"}]},{"@type":"WebSite","@id":"https:\/\/biblio-performance.uqam.ca\/#website","url":"https:\/\/biblio-performance.uqam.ca\/","name":"Une bibliographie comment\u00e9e en temps r\u00e9el","description":"","publisher":{"@id":"https:\/\/biblio-performance.uqam.ca\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/biblio-performance.uqam.ca\/en\/\/recherche\/?q={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/biblio-performance.uqam.ca\/#organization","name":"Une bibliographie comment\u00e9e en temps r\u00e9el","url":"https:\/\/biblio-performance.uqam.ca\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/biblio-performance.uqam.ca\/#\/schema\/logo\/image\/","url":"https:\/\/gabarit-adaptatif.uqam.ca\/statique\/images\/logo-uqam.jpg","contentUrl":"","caption":"Une bibliographie comment\u00e9e en temps r\u00e9el"},"image":{"@id":"https:\/\/biblio-performance.uqam.ca\/#\/schema\/logo\/image\/"},"parentOrganization":{"@type":"EducationalOrganization","@id":"https:\/\/uqam.ca\/#organization","name":"Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al","url":"https:\/\/uqam.ca","alternateName":"UQAM","logo":"https:\/\/gabarit-adaptatif.uqam.ca\/statique\/images\/logo-uqam.jpg"}}]}},"_links":{"self":[{"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/pages\/1898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/users\/658"}],"replies":[{"embeddable":true,"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/comments?post=1898"}],"version-history":[{"count":9,"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/pages\/1898\/revisions"}],"predecessor-version":[{"id":2251,"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/pages\/1898\/revisions\/2251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/media\/619"}],"wp:attachment":[{"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/media?parent=1898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/biblio-performance.uqam.ca\/en\/wp-json\/wp\/v2\/categories?post=1898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}