{"id":1459,"date":"2025-01-10T14:49:48","date_gmt":"2025-01-10T19:49:48","guid":{"rendered":"https:\/\/biblio-performance.uqam.ca\/?page_id=1459"},"modified":"2026-07-15T16:25:05","modified_gmt":"2026-07-15T20:25:05","slug":"2017-talk","status":"publish","type":"page","link":"https:\/\/biblio-performance.uqam.ca\/en\/2017-talk\/","title":{"rendered":"Discussion \u2014 <em>Why Bibliographies Now?<\/em> (2017)"},"content":{"rendered":"\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-a-discussion-on-bibliographical-research-accompanying-the-exhibition-reading-performance-at-artexte-montreal\" class=\"wp-block-heading\">A discussion on bibliographical research accompanying the exhibition <em>Reading Performance<\/em> at Artexte, Montreal<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">November 1, 2017, at 5pm<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"alignnormal\"><div id=\"metaslider-id-1480\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-112-0 metaslider metaslider-flex metaslider-1480 ml-slider has-dots-nav ms-theme-default-base\" role=\"region\" aria-label=\"(3.4. EN discussion)\" data-height=\"600\" data-width=\"1000\">\n    <div id=\"metaslider_container_1480\">\n        <div id=\"metaslider_1480\">\n            <ul aria-live='off' class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1481 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 16:24:19\" data-filename=\"UBCETR_Phase3-RoundTable-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-RoundTable-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1480 slide-1481 msDefaultImage\" title=\"UBCETR_Phase3-RoundTable\" \/><div class=\"caption-wrap\"><div class=\"caption\">Discussion <em>Why Bibliographies now?<\/em>, Artexte, Montreal, November 1, 2017. Photo : Artexte. <\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">To mark the opening of the exhibition <em><strong><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2017-exhibition\/\">Reading Performance<\/a><\/strong><\/em>, the third phase of the research project <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em>, a discussion on bibliographic research was presented at Artexte. This conversation between Nicole Burisch, Joana Joachim, and Victoria Stanton was moderated by Barbara Clausen and Genevi\u00e8ve Marcil.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This discussion brought together historians, artists and curators that have participated in bibliographic research projects at Artexte dedicated to various artistic and performance based practices. Presenting their points of view and themes, these individual and collective researchers asked how the bibliographic form can not only constitute and reveal discourses but also serve as an investigative tool to question the individual as well as institutional politics of performance, craft, feminism, identity and diversity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participants: Nicole Burisch, Joana Joachim (representing the Ethnocultural Art Histories Research Group, Concordia University) and Victoria Stanton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Moderation: Barbara Clausen and Genevi\u00e8ve Marcil<br><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 id=\"watch\" class=\"wp-block-heading\">Recording and biographies<\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 id=\"discussion\" class=\"wp-block-heading\">Discussion <em>Why Bibliographies Now?<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In French and in English<br>November 1, 2017, at 5pm, at Artexte, Montreal<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le r\u00e9flexe bibliographique, ici et maintenant \/ Why Bibliographies Now ?\" src=\"https:\/\/player.vimeo.com\/video\/244123999?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-14590\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Nicole Burisch Biography<\/h3><div id=\"ac-14590\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Nicole Burisch is a curator, critic, and cultural worker. Her projects focus on discourses of craft, feminism, performance, publishing, labor, and materiality within contemporary art. Burisch worked as Administrative Coordinator at Centre Skol from 2011-2014, as the Director of Calgary\u2019s Mountain Standard Time Performative Art Festival from 2007-2009, and as Managing Editor for MAWA\u2019s <em>Desire Change<\/em> publication on feminist art in Canada (2017). Her research (with Anthea Black) into curatorial strategies for politically engaged craft practices is included in milestone publications <em>The Craft Reader <\/em>(Berg) and <em>Extra\/ordinary: Craft and Contemporary Art <\/em>(Duke University Press) and was at the core of a day of research and discussion at Artexte (<em>Skillshare<\/em>, 2013).<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-14591\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">About the Ethnocultural Art Histories Research&nbsp;(represented by Joana Joachim)<\/h3><div id=\"ac-14591\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\"><em>Ethnocultural Art Histories Research<\/em> (EAHR) is a student-driven research community based within the Department of Art History at Concordia University. Open to students and faculty invested or interested in exploring issues of cultural representation, and ethnocultural art histories research across various disciplines ; activities include: symposiums, curatorial projects, discussion groups, and exhibition visits Joana Joachim participated in a research residency at Artexte as a member of EAHR in 2015. She is now a PhD Student in the department of Art History and Communication Studies and at the Institute for Gender, Sexuality and Feminist Studies at McGill University. Her current work examines representations of Black women in Canadian and American nineteenth century genre paintings and photography, with a particular focus on the legacies of slavery located in ongoing discrimination against their hair.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-14592\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Victoria Stanton Biography<\/h3><div id=\"ac-14592\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Victoria Stanton is an interdisciplinary performance artist and researcher\/curator\/educator. She has curated performance art programs for artist-run centers in both Montreal and Toronto, has contributed critical writings about interdisciplinary performance practices \u2013 in particular the performative as it is revealed in material and time-based works \u2013 to a variety of art publications, and is a founding member of the performance art\/research collective, TouVA (with Sylvie Tourangeau and Anne B\u00e9rub\u00e9). Her first book <em>Impure, Reinventing the Word: The Theory, Practice and Oral History of Spoken Word in Montreal<\/em> (conundrum press, 2001), co-authored with Vincent Tinguely, chronicled a vibrant artistic movement via interviews with over 75 artists. Her second book, <em>The 7th Sense: Practicing Dialogues\/Practicing Workshops\/Practicing the Daily Performative\/Practicing Performance Art<\/em> (SAGAMIE \u00e9dition d\u2019art, 2017), co-authored by TouVA, and initially researched during their eight-month residence at Artexte (2008-2009), draws upon a profound exploration of \u201cthe performative\u201d in performance art.<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"256\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1024x256.png\" alt=\"\" class=\"wp-image-1043\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1024x256.png 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-300x75.png 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-768x192.png 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1536x384.png 1536w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>A discussion on bibliographical research accompanying the exhibition Reading Performance at Artexte, Montreal November 1, 2017, at 5pm To mark the opening of the exhibition Reading Performance, the third phase of the research project An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada, a discussion on bibliographic research was presented at Artexte. 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