{"id":1252,"date":"2025-01-10T14:48:15","date_gmt":"2025-01-10T19:48:15","guid":{"rendered":"https:\/\/biblio-performance.uqam.ca\/?page_id=1252"},"modified":"2026-07-15T16:20:43","modified_gmt":"2026-07-15T20:20:43","slug":"2017-exhibition","status":"publish","type":"page","link":"https:\/\/biblio-performance.uqam.ca\/en\/2017-exhibition\/","title":{"rendered":"Exhibition \u2014 <em>Reading Performance<\/em> (2017)"},"content":{"rendered":"\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"h-a-research-exhibition-discussion-and-screenings-at-artexte-montreal\" class=\"wp-block-heading\">A research exhibition, discussion and screenings at Artexte, Montreal<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">November 1 \u2013 December 15, 2017<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"alignnormal\"><div id=\"metaslider-id-1365\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-112-0 metaslider metaslider-flex metaslider-1365 ml-slider has-dots-nav ms-theme-default-base\" role=\"region\" aria-label=\"(3) Phase 3: Exhibition (EN)\" data-height=\"600\" data-width=\"1000\">\n    <div id=\"metaslider_container_1365\">\n        <div id=\"metaslider_1365\">\n            <ul aria-live='off' class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1402 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:57:13\" data-filename=\"UBCETR_Phase3-Exhibition_photoPaulLitherland_1-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_1-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1402 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition_photoPaulLitherland_1\" \/><div class=\"caption-wrap\"><div class=\"caption\">Exhibition view, <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 December 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1403 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:57:24\" data-filename=\"UBCETR_Phase3-Exhibition_photoPaulLitherland_2-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_2-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1403 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition_photoPaulLitherland_2\" \/><div class=\"caption-wrap\"><div class=\"caption\">Exhibition view, <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 December 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1404 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:57:43\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1404 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1405 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:57:57\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1405 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1406 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:58:11\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1406 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1407 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:58:18\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1407 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1408 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:58:26\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1408 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1409 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:58:42\" data-filename=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1409 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 2 (Space) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1410 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:58:49\" data-filename=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1410 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 2 (Space) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1411 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:58:57\" data-filename=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-1-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-1-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1411 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 2 (Space) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1412 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:59:13\" data-filename=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1412 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 3 (Image) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1413 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:59:20\" data-filename=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1413 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 3 (Image) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1414 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:59:28\" data-filename=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1365 slide-1414 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 3 (Image) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Reading Performance<\/em> is the third edition of the two-fold exhibition project <em><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2015-exhibition\/\"><strong>An Annotated Bibliography in Real Time<\/strong><\/a><\/em> first presented at Artexte in 2015. Echoing the lively research context at <a href=\"https:\/\/artexte.ca\/en\/\"><strong>Artexte<\/strong><\/a>, this project, taking form as an exhibition, as well as a series of screenings and talks offers a dynamic space for discussion and exchange on past and present performance-based practices, writings and bibliographical research in Quebec and Canada.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This latest rendition is part of the long term university research project <em>An Annotated Bibliography: Performance Art in Quebec and Canada<\/em> initiated by the Art History Department at UQAM. It is dedicated to an extensive bibliographic survey and a comprehensive overview of writings, publications and printed matter on performance-based practices since the 1940s on a local, provincial and national level. By taking account of the wide variety of existing publications and discourses Reading Performance reflects on the collective spirit inherent in performance art, shedding light on various modes of production and circumstances of experience as well as the ongoing reception of performance art, over more than half a century.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Reading Performance<\/em> is a research and writing laboratory that aims to occupy the exhibition space in such a way as to reflect and generate diverse discourses on performance art, as an inherently interdisciplinary and hybrid medium. Within this context the bibliography becomes a discursive tool active in the here and now, a method used to deepen and refine connections between the practice, production and writing of performance art. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This exhibition residency revolves around three main themes, which are articulated in three parts: text, space and image. <\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:15%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:85%\">\n<p class=\"wp-block-paragraph\" id=\"h-part-1-text\"><strong><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2017-exhibition\/#text\">Part 1 \u2014 TEXT (November 1 \u2013 18, 2017) <br><\/a><\/strong><em>The Art Manifesto as Performative Text<br><\/em>Curated by Genevi\u00e8ve Marcil<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2017-exhibition\/#space\">Part 2 \u2014 SPACE (November 22 \u2013 December 6, 2017)<br><\/a><\/strong><em>Staging Research<br><\/em>Curated by Emmanuelle Choquette<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2017-exhibition\/#image\">Part 3 \u2014 IMAGE (December 6 \u2013 15, 2017)<br><\/a><\/strong><em>Narratives of Self in Video Art<br><\/em>Curated by Jade Boivin<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The setup of the exhibition is updated and transformed throughout its three iterations via selected texts, documents and videos. <em>Reading Performance<\/em> is a situation, as well as a process and way of reflecting on the relationship between research and artistic production. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As part of the programming, discussions and bibliographic annotation sessions are organized in the space during the exhibition period. A <strong><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2017-talk\/\">public discussion<\/a><\/strong> featuring Nicole Burisch, Joana Joachim, and Victoria Stanton and moderated by Barbara Clausen and Genevi\u00e8ve Marcil also took place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Curators: Jade Boivin, Emannuelle Choquette, Barbara Clausen, Genevi\u00e8ve Marcil<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:15%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:85%\">\n<h4 id=\"h-related-links\" class=\"wp-block-heading\">Related Links <\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/phase-2017\">Overview of Phase III (2017) of <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em><\/a><\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2017-talk\/\">Recordings of the discussion for <em>Reading Performance <\/em>(2017)<\/a><\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/artexte.ca\/en\/exhibition\/reading-performance-an-annotated-bibliography-in-real-time-iii\/?noredirect=en_CA\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition page on the Artexte website<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 id=\"h-exhibition-details\" class=\"wp-block-heading\">Exhibition Details<\/h2>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12520\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Discussion <\/h3><div id=\"ac-12520\" class=\"c-accordion__content\">\n<ul class=\"wp-block-list\">\n<li>November 1, 2017, at 5pm \u2013 <em>Why Bibliographies Now?<\/em> with Nicole Burisch, Joana Joachim, and Victoria Stanton, moderated by Barbara Clausen and Genevi\u00e8ve Marcil (in French and in English) <strong><a href=\"https:\/\/biblio-performance.uqam.ca\/en\/2017-talk\/#watch\">(watch the recording)<\/a><\/strong><\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12521\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Exhibitions documents<\/h3><div id=\"ac-12521\" class=\"c-accordion__content\">\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3_Exhibition_pamphlet_EN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition pamphlet for the exhibition <em>Reading Performance<\/em> (November 1 \u2013 December 15, 2015)<\/a><\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Volet3_Documentation_351-375-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition documentation <em>for Reading Performance<\/em> (2015) compiled in <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em>, Montreal: \u00c9ditions Artexte, 2019, p. 351\u2013375.<\/a><\/li>\n<\/ul>\n\n\n\n<h4 id=\"h-part-1-text-november-1-18-2017\" class=\"wp-block-heading\">Part 1: Text (November 1 <strong>\u2013<\/strong> 18, 2017)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Phase3_1-Text-Essay_369.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Phase3_1-Text-Essay_369.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Curatorial Essay: Genevi\u00e8ve Marcil, &#8220;From Writings on Performance to Writing as Performance&#8221;, <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em>, Montreal: \u00c9ditions Artexte, 2019, p. 369.<\/a><\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet3_Exposition2017_Partie1-document.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition Insert &#8220;Texte : Le manifeste artistique comme \u00e9crit performatif&#8221; (2017)<\/a> (in French)<\/li>\n<\/ul>\n\n\n\n<h4 id=\"h-part-2-space-november-22-december-2-2017\" class=\"wp-block-heading\">Part 2: Space (November 22 <strong>\u2013<\/strong> December 2, 2017)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Phase3_2-Space-Essay_371.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Curatorial Essay: Emmanuelle Choquette, &#8220;Research: Sites and Spaces&#8221;, <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em>, Montreal: \u00c9ditions Artexte, 2019, p. 371.<\/a><\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet3_Exposition2017_Partie2-document.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition Insert &#8220;Espace: Mettre en espace la recherche&#8221; (2017)<\/a> (in French)<\/li>\n<\/ul>\n\n\n\n<h4 id=\"h-part-3-image-december-6-15-2017\" class=\"wp-block-heading\">Part 3: Image (December 6 <strong>\u2013<\/strong> 15, 2017)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Phase3_3-Image-Essay_374-375.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Curatorial Essay: &#8220;Narratives of the Self in Video Art&#8221;, <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em>, Montreal: \u00c9ditions Artexte, 2019, p. 374\u2013375.<\/a><\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet3_Exposition2017_Partie3-document.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition Insert &#8220;Image : La vid\u00e9o comme lieu d&#8217;une mise en r\u00e9cit de soi&#8221; (2017)<\/a> (in French) <\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12522\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Team and Credits<\/h3><div id=\"ac-12522\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\"><strong>Research Director: <\/strong>Barbara Clausen<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Curators<\/strong>: Jade Boivin, Emmanuelle Choquette, Barbara Clausen, Genevi\u00e8ve Marcil<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Research team<\/strong>: Jade Boivin, Emmanuelle Choquette, Maude Lefebvre, Genevi\u00e8ve Marcil<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Research and project support at Artexte<\/strong>: H\u00e9l\u00e8ne Brousseau, Fr\u00e9d\u00e9rique Duval, Jessica H\u00e9bert, Joana Joachim, Marie-Claire M\u00e9riau &amp; Sarah Watson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Editors<\/strong>: Barbara Clausen &amp; Sarah Watson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Editing<\/strong>: Fr\u00e9d\u00e9rique Duval &amp; Sarah Watson, Artexte and the research team<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Graphic concept<\/strong>: Gabriel Jasmin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Installation<\/strong>: Olivier Longpr\u00e9 &amp; Graham Hall<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Traduction<\/strong>: Simon Brown&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>With sincere thanks<\/strong> to the Sophie B\u00e9lair Cl\u00e9ment, Vincent Bonin, Mathieu Grenier, La Centrale galerie Powerhouse, Montr\u00e9al ; Western Front, Vancouver ; National Film Board Canada ; VOX centre d\u2019image contemporaine, Montr\u00e9al ; FADO, Toronto ; Concordia University Library, Montreal ; the Arts Library, the Faculty of Arts and the Department for Art History at UQAM.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 id=\"text\" class=\"wp-block-heading\">Part 1: Text<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>The Art Manifesto as Performative Text<\/strong><br><\/em>November 1 \u2013 18, 2017<\/p>\n\n\n\n<div class=\"alignnormal\"><div id=\"metaslider-id-1396\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-112-0 metaslider metaslider-flex metaslider-1396 ml-slider has-dots-nav ms-theme-default-base\" role=\"region\" aria-label=\"(3.1 EN - text)\" data-height=\"600\" data-width=\"1000\">\n    <div id=\"metaslider_container_1396\">\n        <div id=\"metaslider_1396\">\n            <ul aria-live='off' class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1397 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:52:11\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1396 slide-1397 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1398 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:52:20\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1396 slide-1398 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1399 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:52:33\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1396 slide-1399 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1400 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:52:43\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1396 slide-1400 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1401 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 13:52:50\" data-filename=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1396 slide-1401 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 1 (Text) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">This first section of the exhibition is an examination of the artistic manifesto as a performative act, opening up a dialogue between the act of performance and the gesture of writing. With a nod to the theories of J.L. Austin (<em>How to Do Things with Words<\/em>, 1955\/1962), this first part of the exhibition considers the manifesto both as a call to action and as an act in and of itself. Through the presentation of videos and publications\/periodicals, the manifesto takes form through the different phases of its utterance: writing, dissemination and public reading. This treatment of the manifesto highlights the contribution of artists\u2019 writing to the production and reception of performance and the definition of its renewed forms in the interstices between art, performance, poetry, video, dance and theater. Beginning with a discussion on the politics of bibliographical research, <em>The art manifesto as performative text<\/em> ultimately aims to question the position and methodology of the researcher in art history as well as complex relationships with their primary sources.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Curator: Genevi\u00e8ve Marcil<br><\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12523\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Exhibited Artworks and Documents<\/h3><div id=\"ac-12523\" class=\"c-accordion__content\">\n<h4 id=\"h-videos\" class=\"wp-block-heading\">Videos<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Bronson, A.A. (1975). <em>Mixed Metaphors<\/em>, 14 min 41 sec, \u00a9Western Front.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Labrecque, J.-C. et Masse, J.-P. (1970). <em>La Nuit de la po\u00e9sie 27 mars 1970<\/em>, 1 h50 min, \u00a9Office national du film.<\/p>\n\n\n\n<h4 id=\"h-manifestos\" class=\"wp-block-heading\">Manifestos<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Adams, L.et Adams, M. (1976). <em>15 Dance Laboratorium Brochure<\/em>, Lawrence and Miriam<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adams Portfolio, Dance Collection Danse, Toronto.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anonyme. (1975). <em>Exposition Art-Femme, pourquoi-pas? pis apr\u00e8s?<\/em> Fonds La Centrale (P128, HA01728). Concordia University Library, Special Collections, Montr\u00e9al, Qu\u00e9bec.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arsenault, N. (2012). A Manifesto of Living Self-Portraiture (Identity, Transformation, and Performance). <em>Canadian Theatre Review 150<\/em>(1), 64\u201369.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00f4t\u00e9, D.-J. (1982). R\u00e9seau Art Femme. <em>Intervention<\/em> (14, f\u00e9vrier), 30\u201331.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Creighton-Kelly, C. (1991). \u00c9nonc\u00e9\/Statement. Dans Richard, A.-M. et Robertson, C. (dir.), <em>Performance au-in Canada 1970-1990<\/em>, Qu\u00e9bec : Intervention ; Toronto: Coach House Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">David, G. (1969). L\u2019enfin th\u00e9\u00e2tre, <em>Allez chier<\/em> (1), s.p.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Demers, M. et Moreau, A. (1971). La conqu\u00eate de l\u2019environnement. <em>Le Devoir<\/em> (17 juillet), 15.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dion Fletcher, V. et Salas, P. M. (2014). The Syndicate of Indigenous New Media, Performance, and Craft Artists Shikaakwa. R\u00e9cup\u00e9r\u00e9 de &lt;http:\/\/artspace-arc.org\/workshop\/manifesto-workshop\/&gt;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Duguay, R. (1970). <em>Le manifeste de l\u2019infonie. Le ToutArtBel<\/em>. Montr\u00e9al : \u00c9ditions du Jour.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">General Idea (1975). Glamour. <em>FILE Magazine 3<\/em>(1), 20\u201333.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Householder, J., Mars, T., Fraticelli, R. (1983). A Pro-Feminist Primer. <em>Parall\u00e9logramme 8<\/em>(4), 44\u201345.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Intermedia Society (2010\/1967). INTERMEDIA: A survey of Intended Project Areas. Dans Bonin, V. et Th\u00e9riault, M. (dir.), <em>Documentary Protocols = Protocoles Documentaires (1967-1975)<\/em>. Montr\u00e9al, Qu\u00e9bec: Galerie Leonard &amp; Bina Ellen Art Gallery, Universit\u00e9 Concordia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kantor, I. et Cantsin, M. (1991). The Interpretation of GIFT Manifesto. Dans Richard, A.-M. et Robertson, C. (dir.), <em>Performance au-in Canada 1970-1990<\/em>, Qu\u00e9bec : Intervention ; Toronto: Coach House Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Konyves, T. (2011). <em>Videopoetry: a Manifesto<\/em>. R\u00e9cup\u00e9r\u00e9 de &lt;https:\/\/issuu.com\/tomkonyves\/docs\/manifesto_pdf&gt;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Loft, S. (2012). A Manifesto of Close Encounters. Dans Hopkins, C.et Farrell Racette, S. (dir.), <em>Close Encounters: The Next 500 Years<\/em>, Winnipeg: Plug-In.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Martel, R. (1990). D\u00e9stabilisation du mod\u00e8le r\u00e9gnant et quelques d\u00e9stabilisants. <em>Inter<\/em> (47), 16\u201323.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mitchell, A. (2009). Deep Lez. <em>No More Potluck #1<\/em>. Accessed de &lt;http:\/\/e-artexte.ca\/25551\/&gt;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Morin, F. et Pontbriand, C. (dir.) (1975). \u00c9ditorial. <em>Parachute<\/em> (1), 3.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Morin, R. (1998). Refus total 1998. <em>L\u2019Action nationale, 88<\/em>(7), septembre, 189\u2013199.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">OBORO (2009). <em>Manifestoboro<\/em>. R\u00e9cup\u00e9r\u00e9 de &lt;http:\/\/www.oboro.net\/fr\/activite\/25e-anniversaire-d-oboro&gt;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op\u00e9ration D\u00e9clic (1973\/1968). Manifeste-agis : Place \u00e0 l\u2019orgasme. Dans Robillard, Y. (dir.), <em>Qu\u00e9bec Underground 1962-1972<\/em>, tome 1. Montr\u00e9al : M\u00e9diart.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Richard, A.-M. (1990). \u00c9nonc\u00e9s g\u00e9n\u00e9raux : Mat\u00e9riau Manoeuvre. <em>Inter<\/em> (47), 1\u20132.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Robertson, C. et Woodrow, P. (1972). WE.OURSELVES.ROUGHLY.KNOW.SOMETHING. A review of the 1st world festival of W.O.R.K.S. <em>Artscanada 29<\/em>(3), 94.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Simpson, A. (1995). <em>Making Native Love<\/em>. R\u00e9cup\u00e9r\u00e9 de &lt;http:\/\/www.cyberpowwow.net\/nation2nation\/love.htm&gt;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Soucy, F., Rousseau, F.M., Saxe, H., Robillard, Y. et Lacroix, R. (1973\/1965). Manifeste Fusion des Arts. Dans Robillard, Y. (dir.), <em>Qu\u00e9bec Underground 1962-1972<\/em>, tome 1. Montr\u00e9al : M\u00e9diart.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sullivan, F. (1971\/1948). La danse et l\u2019espoir. Dans Teyss\u00e8dre, B. et Dumont, F. (dir.), <em>Borduas et les Automatistes, Montr\u00e9al, 1942-1955<\/em>. Montr\u00e9al: Mus\u00e9e d\u2019art contemporain de Montr\u00e9al.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thompson, M.J. (2002). Le refus corporeal: A manifesto after Paul-\u00c9m\u00ecle Borduas and Louise Lecavalier. <em>Women &amp; Performance: a journal of feminist theory 12<\/em>(2), 217\u2013233.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Woodrow, P. (1973). W.O.R.K.S A Conceptographic Reading of Our World Thermometer. <em>Artscanada 30<\/em>(4), 54.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12524\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Exhibition Documents<\/h3><div id=\"ac-12524\" class=\"c-accordion__content\">\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet3_Exposition2017_Partie1-document.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition Insert &#8220;Texte : Le manifeste artistique comme \u00e9crit performatif&#8221; (2017)<\/a> (in French)<\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Phase3_1-Text-Essay_369.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/strong><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Phase3_1-Text-Essay_369.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Curatorial Essay: Genevi\u00e8ve Marcil, &#8220;From Writings on Performance to Writing as Performance&#8221;, <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em>, Montreal: \u00c9ditions Artexte, 2019, p. 369.<\/a><\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/artexte.ca\/articles\/ecrits-sur-la-performance-et-performativite-de-lecrit-retour-sur-lire-la-performance-une-bibliographie-commentee-en-temps-reel-iii\/\" target=\"_blank\" rel=\"noreferrer noopener\">Article &#8220;\u00c9crits sur la performance et performativit\u00e9 de l\u2019\u00e9crit &#8211; Retour sur Lire la performance : Une bibliographie comment\u00e9e en temps r\u00e9el III&#8221;, published in Articles, Artexte Blog, October 10, 2019<\/a> (in French)<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 id=\"space\" class=\"wp-block-heading\">Part 2: Space<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em><strong><em>Staging Research<\/em><\/strong><br><\/em><\/strong>November 22 \u2013 December 2, 2017<\/p>\n\n\n\n<div class=\"alignnormal\"><div id=\"metaslider-id-1415\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-112-0 metaslider metaslider-flex metaslider-1415 ml-slider has-dots-nav ms-theme-default-base\" role=\"region\" aria-label=\"(3.2. EN Space exh)\" data-height=\"600\" data-width=\"1000\">\n    <div id=\"metaslider_container_1415\">\n        <div id=\"metaslider_1415\">\n            <ul aria-live='off' class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1416 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 14:01:22\" data-filename=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1415 slide-1416 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 2 (Space) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1417 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 14:01:32\" data-filename=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1415 slide-1417 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 2 (Space) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1418 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 14:01:41\" data-filename=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-1-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-1-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1415 slide-1418 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 2 (Space) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Examining the ways in which theoretical and document-based research is at the core of an increasing number of artists\u2019 practices, this second part of the exhibition entitled <em>Staging Research <\/em>investigates how discursive and performative practices respond to the site specificity of the exhibition. The exhibited documents and recordings allow for an exploration of the strategies, tools and techniques that artists, such as Sophie B\u00e9lair Cl\u00e9ment, Marie-Claire Fort\u00e9, David Tomas, St\u00e9phane Gilot or Francys Chenier, use to render their research visible as part of a process based mode of working. The focus on the various textual and paratextual elements \u2014 press releases, publications, recordings and documentation of interventions \u2014 surrounding or accompanying artworks, reveals the performativity of their underlying approaches and research based practices. Presented together, these different types of documents and ephemera highlight the processes at work in correspondences, conversations, requests, reports and narratives and engage with the position of the artist as researcher from several critical perspectives.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Curator: Emmanuelle Choquette<br><\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12525\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Exhibited Artworks and Documents<\/h3><div id=\"ac-12525\" class=\"c-accordion__content\">\n<h4 id=\"h-video\" class=\"wp-block-heading\">Video<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Juan Ortiz-Apuy, <em>Disruptions<\/em>, 2010, 13 min 45 sec.<\/p>\n\n\n\n<h4 id=\"h-texts-and-documents\" class=\"wp-block-heading\">Texts and documents<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">B\u00e9lair Cl\u00e9ment, S. (2011). Intermedia History, 1973, 01:01:34 (2011). <em>Interm\u00e9dialit\u00e9s<\/em> (18), 183\u2013200.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">B\u00e9lair Cl\u00e9ment, S. (2008). <em>Pi\u00e8ce \u00e9crite qui tente de s\u2019accorder au travail performatif qui tente de s\u2019accorder au voisin qui n\u2019a pas besoin d\u2019\u00eatre un voisin : (un objet \u00e7a fait aussi, c\u2019est m\u00eame pr\u00e9f\u00e9rable)<\/em>. Montr\u00e9al : \u00c9ditions les petits carnets.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bonin, V. (2011). Intermedia History \u2212 suppl\u00e9ment. <em>Interm\u00e9dialit\u00e9s<\/em> (18), 173\u2013182.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bonin, V. et Th\u00e9riault, M. (2010). <em>Protocoles documentaires (1967-1975)<\/em>. Montr\u00e9al : Galerie d\u2019art Leonard &amp; Bina Ellen, Universit\u00e9 Concordia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chenier, F. (2016). <em>Voyage de t\u00eates avec Sylvie Cotton<\/em>. Montr\u00e9al : Francys Chenier.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Farzaneh, S., Lengerer, A., Piccolo, J., Place, K., Quagliotto, N., Rinc\u00e9, H. et Sabourin, C. (2016). <em>Scriptings : #46 : A Catalog, in Any Case Unreasoned and Incomplete<\/em>. Montr\u00e9al : Vox, centre de l\u2019image contemporaine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fraser, M. (dir.). (2011). <em>Le travail qui nous attend<\/em>. Montr\u00e9al : Mus\u00e9e d\u2019art contemporain de Montr\u00e9al.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gaudreault, C. et Saint-Hiliaire, J.-C. (1980). Le festival de performance : Symposium de Chicoutimi.<em> Intervention<\/em>(9), 28\u201331.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lacerte, S., B\u00e9nichou, A. et Frenkel, V. (2010). <em>Vera Frenkel: cartographie d\u2019une pratique<\/em>. Montr\u00e9al : SBC Contemporary Art Gallery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Martel, R., Tremblay, D., Robillard, Y. et al. (1980). <em>Symposium international de sculpture environnementale de Chicoutimi<\/em>. Chicoutimi : Corporation pour le Symposium International de Sculpture Environnementale de Chicoutimi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tayler, F. (2010). <em>Constellation et correspondances : Transmission entre artistes, 1970-1980<\/em>. Ottawa : Mus\u00e9e des beaux-arts du Canada ; Montr\u00e9al : \u00c9ditions Artextes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tomas, D. (2010). Quand le document s\u2019anime et le spectateur performe : Tim Clark, Reading the limits (2008). <em>Ciel variable : art, photo, m\u00e9dias, culture<\/em>(86), 8\u201316.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tourangeau, J. (1980). Les performances : morceaux choisis. <em>Vie des arts, 25<\/em>(101), 45\u201346.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ortiz Apuy, J. et Portis, B. (2011). <em>A Map of the Empire of Language as a Place of Struggle<\/em>. Lithographie offset (\u00e9dition de 1000). Artist publication accompanying the installation <em>Disruptions<\/em>.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12526\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Exhibition Documents<\/h3><div id=\"ac-12526\" class=\"c-accordion__content\">\n<ul class=\"wp-block-list\">\n<li style=\"font-style:normal;font-weight:400\"><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet3_Exposition2017_Partie2-document.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet3_Exposition2017_Partie2-document.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition Insert &#8220;Espace: Mettre en espace la recherche&#8221; (2017)<\/a> (in French)<\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Phase3_2-Space-Essay_371.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Curatorial Essay: Emmanuelle Choquette, &#8220;Research: Sites and Spaces&#8221;, <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em>, Montreal: \u00c9ditions Artexte, 2019, p. 371.<\/a><\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 id=\"image\" class=\"wp-block-heading\">Part 3: Image<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>La vid\u00e9o comme lieu d\u2019une mise en sc\u00e8ne de soi<\/em><\/strong><br>6 \u2013 15 d\u00e9cembre 2017<\/p>\n\n\n\n<div class=\"alignnormal\"><div id=\"metaslider-id-1419\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-112-0 metaslider metaslider-flex metaslider-1419 ml-slider has-dots-nav ms-theme-default-base\" role=\"region\" aria-label=\"(3.3. EN Image exh)\" data-height=\"600\" data-width=\"1000\">\n    <div id=\"metaslider_container_1419\">\n        <div id=\"metaslider_1419\">\n            <ul aria-live='off' class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1420 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 14:03:04\" data-filename=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1419 slide-1420 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 3 (Image) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1421 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 14:03:09\" data-filename=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1419 slide-1421 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 3 (Image) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1422 ms-image \" aria-roledescription=\"slide\" data-date=\"2026-07-06 14:03:19\" data-filename=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13-1000x600.jpeg\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13-1000x600.jpeg\" height=\"600\" width=\"1000\" alt=\"\" class=\"slider-1419 slide-1422 msDefaultImage\" title=\"UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13\" \/><div class=\"caption-wrap\"><div class=\"caption\">View of Part 3 (Image) of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The third part of <em>Reading Performance<\/em> looks at how image politics define and reflect the construction and consolidation of identity. Through a parallel staging of videos, artists\u2019 writings and related theoretical discourses, the exhibition investigates how images engage in a dialogue with queer and feminist discourses in performance art as well as the genesis of video-based practices. In their consideration of the ongoing relationship between performance, image and body, Canadian and Quebec artists invested in performance-based practices have used video to question the social relationships wherein identity is forged. The aim here is to investigate the reception of these video images as everyday and intimate forms of narration, as well as tools of identity formation on a broader political level. In parallel with the bibliographical research in progress and in keeping with its accumulative and collaborative method of working, this video programme emphasizes the importance of questioning the idea of a subjective art history. Video thus becomes the site of self-narrative, a site where desire and experience can be articulated through visual and media-based language.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Curator: Jade Boivin<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12527\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Exhibited Artworks and Documents<\/h3><div id=\"ac-12527\" class=\"c-accordion__content\">\n<h4 id=\"h-videos-0\" class=\"wp-block-heading\">Videos<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Campbell, C. (1980). <em>Bad Girls<\/em>. 65 min., colour. \u00a9 The artist and Vtape.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (2002). <em>Lesbian National Parks and Services: A Force of Nature<\/em>. 23 min., colour. \u00a9 The artists and Video Pool.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (2009). <em>Lesbian National Parks &amp; Services Presents: Endangered Species<\/em>. 6 min. 30, colour. \u00a9 The artists and Video Pool.<\/p>\n\n\n\n<h4 id=\"h-texts-and-documents-0\" class=\"wp-block-heading\">Texts and documents<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Campbell, C. (1978). <em>The Woman from Malibu<\/em>. Toronto : Art Metropole.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Campbell, C. (1979). <em>Modern Love<\/em>. Toronto : Art Metropole.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Davies, J. et Greyson, J. (2008). <em>Des gens comme nous : les potins de Colin Campbell<\/em>. Oakville : Oakville Galleries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Davis, H. (dir.). (2017). <em>Desire Change: Contemporary Feminist Art in Canada<\/em>. Montr\u00e9al et Winnipeg: McGill-Queen\u2019s University Press et Mentoring Artists for Women\u2019s Art.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (2000). <em>Lesbian National Parks and Services Dive Into Australia : A Souvenir Guide and Answers to Frequently Asked Questions<\/em>. Winnipeg : Finger in the Dyke Productions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (2001). <em>Handbook of the Junior Lesbian Ranger<\/em>. Winnipeg: Finger in the Dyke Productions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (2001). <em>The Very Short Tale of Little Lezzie Borden<\/em>. Winnipeg: Shawna Dempsey and Lorri Millan.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (2002). <em>Lesbian National Parks and Services Field Guide to North America: Flora, Fauna &amp; Survival Skills<\/em>. Toronto: Pedlar Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (2012). <em>Bedtime Stories for the Edge of the World<\/em>. Winnipeg: Arbeiter Ring Publishing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (s.d.). <em>Lesbian National Parks and Services: Busy as Beavers in \u00abMichigan\u00bb: A Souvenir Guide and Answers to Frequently Asked Questions<\/em>. Winnipeg: Finger in the Dyke Productions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (s.d.). <em>Lesbian National Parks and Services: Wet, Wet, Wet! : The Prairies and You \/\/ Lesbian National Parks and Services: Bushfire Alert! : The Prairies and You<\/em>. Winnipeg: Finger in the Dyke Productions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dempsey, S. and Millan, L. (s.d.). <em>Lesbian National Parks and Services Welcomes You to Banff : A Quick Guide and Answers to Frequently Asked Questions<\/em>. Winnipeg: Finger in the Dyke Productions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ferguson, B. (1991). <em>Colin Campbell: Otherwise Worldly<\/em>. Toronto: Art Metropole.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ferguson, B. (dir.). <em>Colin Campbell : Media Works 1972-1990<\/em>. Winnipeg : Winnipeg Art Gallery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Francis, M. (2012). <em>Creative Subversions : Whiteness, Indigeneity, and the National Imaginary<\/em>. Vancouver : UBC Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gale, P. (1993). <em>Colin Campbell : Invention, selected works 1972-1990<\/em>. Toronto: Art Metropole.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gale, P. (dir.). (1996). <em>Video Re\/View: The (Best) Source for Critical Writings on Canadian Artists\u2019 Video<\/em>. Toronto: Art Metropole et VTape.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gever, M. (dir.). (1993). <em>Queer Looks: Perspectives on Lesbian and Gay Film and Video<\/em>. Toronto: Between the Lines.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Householder, J. and Mars, T. (dir.). (2004). <em>Caught in the Act: An Anthology of Performance Art by Canadian Women<\/em>. Toronto: YYZ Books.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Householder, J. and Mars, T. (dir.). (2016). <em>More Caught in the Act: An Anthology of Performance Art by Canadian Women<\/em>. Montr\u00e9al et Toronto: \u00c9ditions Artexte et YYZ Books.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jones, A. and Silver, E. (dir.). (2015). <em>Otherwise : Imagining queer feminist art histories<\/em>. Manchester: Manchester University Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">King, M. (dir.). (2017). <em>Queer\/Play: An Anthology of Queer Women\u2019s Performance and Plays<\/em>. Toronto: Playwrights Canada Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marchessault, J. (dir.). (1995). <em>Mirror Machine: Video and Identity<\/em>. Toronto: YYZ Books.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Metcalfe, R. et al. (1997). <em>Queer Looking, Queer Acting : Lesbian and Gay Vernacular<\/em>. Halifax : Mount Saint Vincent University Art Gallery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wark, J. (2006). <em>Radical Gestures: Feminism and Performance Art in North America<\/em>. Montr\u00e9al: McGill-Queen\u2019s University Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Waugh, T. and La Bruce, B. (2006). <em>The Romance of Transgression in Canada : Queering Sexualities, Nations, Cinemas<\/em>. Montr\u00e9al : McGill-Queen\u2019s University Press.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12528\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Exhibition Documents<\/h3><div id=\"ac-12528\" class=\"c-accordion__content\">\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet3_Exposition2017_Partie3-document.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Volet3_Exposition2017_Partie3-document.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition Insert &#8220;Image : La vid\u00e9o comme lieu d&#8217;une mise en r\u00e9cit de soi&#8221; (2017)<\/a> (in French) <\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><a href=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Publication_Phase3_3-Image-Essay_374-375.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Curatorial Essay: &#8220;Narratives of the Self in Video Art&#8221;, <em>An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada<\/em>, Montreal: \u00c9ditions Artexte, 2019, p. 374\u2013375.<\/a><\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 id=\"h-photographic-documentation\" class=\"wp-block-heading\">Photographic Documentation<\/h2>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-12529\" class=\"c-accordion__title js-accordion-controller\" role=\"button\"><em>Reading Performance<\/em> (November 1 \u2013 December 15, 2017) <\/h3><div id=\"ac-12529\" class=\"c-accordion__content\">\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6a97d26f1f80c&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f20d3b&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f20d3b\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1369\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_1-1024x683.jpeg\" alt=\"\" class=\"wp-image-1369\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_1-1024x683.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_1-300x200.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_1-768x513.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_1.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Exhibition view, <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 December 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f21800&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f21800\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"692\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1371\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_2-1024x692.jpeg\" alt=\"\" class=\"wp-image-1371\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_2-1024x692.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_2-300x203.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_2-768x519.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition_photoPaulLitherland_2.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Exhibition view, <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 December 15, 2017. Photo: Paul Litherland. Courtesy of Artexte. <\/figcaption><\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-125210\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Part 1: Text (November 1 \u2013 18, 2017) <\/h3><div id=\"ac-125210\" class=\"c-accordion__content\">\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6a97d26f223dc&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f22bb2&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f22bb2\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1373\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3-1024x683.jpeg\" alt=\"\" class=\"wp-image-1373\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3-1024x683.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3-300x200.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3-768x513.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_3.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 1: Text<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Guy L\u2019Heureux. Courtesy of Artexte.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f23569&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f23569\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1375\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4-1024x683.jpeg\" alt=\"\" class=\"wp-image-1375\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4-1024x683.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4-300x200.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4-768x513.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_4.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 1: Text<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f23f03&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f23f03\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1377\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5-1024x683.jpeg\" alt=\"\" class=\"wp-image-1377\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5-1024x683.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5-300x200.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5-768x513.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_5.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 1: Text<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f248cb&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f248cb\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1379\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6-1024x683.jpeg\" alt=\"\" class=\"wp-image-1379\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6-1024x683.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6-300x200.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6-768x513.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_6.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 1: Text<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f252b6&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f252b6\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1381\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7-1024x683.jpeg\" alt=\"\" class=\"wp-image-1381\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7-1024x683.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7-300x200.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7-768x513.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part1_photoPaulLitherland_7.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 1: Text<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 1 \u2013 18, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-125211\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Part 2: Space (November 22 \u2013 December 2, 2017)<\/h3><div id=\"ac-125211\" class=\"c-accordion__content\">\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6a97d26f25c1a&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f2640b&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f2640b\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"769\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1383\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8-1024x769.jpeg\" alt=\"\" class=\"wp-image-1383\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8-1024x769.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8-300x225.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8-768x577.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_8.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 2: Space<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f26e45&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f26e45\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"769\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1385\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9-1024x769.jpeg\" alt=\"\" class=\"wp-image-1385\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9-1024x769.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9-300x225.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9-768x577.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_9.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 2: Space<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f2788c&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f2788c\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"769\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1387\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-769x1024.jpeg\" alt=\"\" class=\"wp-image-1387\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-769x1024.jpeg 769w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-225x300.jpeg 225w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-768x1023.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10-1153x1536.jpeg 1153w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part2_photoPaulLitherland_10.jpeg 1500w\" sizes=\"auto, (max-width: 769px) 100vw, 769px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 2: Space<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, November 22 \u2013 December 2, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-125212\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Part 3: Image (December 6 \u2013 15, 2017)<\/h3><div id=\"ac-125212\" class=\"c-accordion__content\">\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6a97d26f2809a&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f288dd&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f288dd\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1391\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11-1024x680.jpeg\" alt=\"\" class=\"wp-image-1391\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11-1024x680.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11-300x199.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11-768x510.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_11.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 3: Image<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f292b4&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f292b4\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1393\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12-1024x680.jpeg\" alt=\"\" class=\"wp-image-1393\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12-1024x680.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12-300x199.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12-768x510.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_12.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 3: Image<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a97d26f29c65&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a97d26f29c65\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1395\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13-1024x680.jpeg\" alt=\"\" class=\"wp-image-1395\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13-1024x680.jpeg 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13-300x199.jpeg 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13-768x510.jpeg 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/07\/UBCETR_Phase3-Exhibition-Part3_photoPaulLitherland_13.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of <em>Part 3: Image<\/em> of the exhibition <em>Reading Performance<\/em>, Artexte, Montreal, December 6 \u2013 15, 2017. Photo: Paul Litherland. Courtesy of Artexte.<\/figcaption><\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"256\" src=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1024x256.png\" alt=\"\" class=\"wp-image-1043\" srcset=\"https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1024x256.png 1024w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-300x75.png 300w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-768x192.png 768w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos-1536x384.png 1536w, https:\/\/biblio-performance.uqam.ca\/wp-content\/uploads\/sites\/150\/2026\/06\/UBCETR_Footer_Logos.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>A research exhibition, discussion and screenings at Artexte, Montreal November 1 \u2013 December 15, 2017 Reading Performance is the third edition of the two-fold exhibition project An Annotated Bibliography in Real Time first presented at Artexte in 2015. 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